In motion there is absolute intention behind every decision—the timing, the rhythm, the way a single element enters the frame.

This latest piece is from a short animation and motion design project I’m working on about Philippe Petit and his legendary 1974 wire walk between the World Trade Center towers. The concept demanded an exploration into crisp, modern layouts. I wanted to see how far I could push fluid transitions and sound design to dictate the pace, stripping away the noise to let the behavior of the typography speak for itself.